44/48

Paddington returns to Peru to visit his beloved Aunt Lucy, who now lives in a retirement home for bears. Accompanying the Brown family, they have a thrilling adventure when a mystery takes them on an unexpected journey. Paul King, the director of the previous two films, has decided not to direct this installment. However, he came up with the idea for this third film and was involved as an executive producer. Starring The Graham Norton Show: Billy Crystal/Emily Mortimer/Hugh Bonneville/Pharrell Williams/Michael Kiwanuka (2024). ‘Paddington Peru (2024)’ is not as good as Paddington 2 (2017), but it’s not as big a step down as some early reactions led me to believe. For the most part, this is still an entertaining and delightfully polite experience that is as enjoyable as it is fast-paced. While the standard adventure narrative is less quirky than the vignette approach of the first two films, it still works well enough in this context, allowing its lovable characters to continue their charm even as they are subjected to the classic sequel. They are taken out of their natural habitat to explore the protagonist’s as-yet-unknown origins. There are plenty of funny moments, and the film is good-natured from the very first frame. It’s a genuinely nice film, and sometimes that’s all you need. It lacks a strong emotional core compared to its predecessors. While some of its moments are moving, the plot isn’t particularly heavy and won’t work your tear ducts. Also, some of its action is pretty superficial and, as my brother pointed out, almost feels like a forced afterthought. The narrative as a whole is pretty conventional and pretty much follows a set formula all the way through. It’s pretty predictable and feels pretty generic, almost like it was a modernized Paddington after its basic rhythms were already in place. Despite some issues, this feature is still more than enough to make it enjoyable. Its appealing cast is as strong as ever, and a couple of delightful newcomers (Antonio Banderas and Olivia Colman) happily chew the scenery whenever they need to. The special effects are consistently good, perhaps bringing the eponymous bear to life in a way that makes it strange to think he’s never actually in the same place as the other characters. When he doesn’t arrive naturally on the red carpet, it feels like someone has gone missing. The film is light and fluid; it really flies by and is generally a lot of fun. It’s jam-packed with visual and dialogue-driven gizmos, as well as scenes of winged action that sweep you off your feet. This is a really good time. Ultimately, this is a perfectly respectable addition to a series that’s well-crafted and enjoyable. It’s a shame that it follows “Paddington 2 (2017),” because there’s an argument to be made for which is the best – or at least the most appealing – picture of all time, because this is truly a great family film. If you’re expecting the best movie of all time (again), or even the second best movie of all time, you’re bound to be disappointed. However, it’s a solid piece of work that’s charming and entertaining in almost every scene. It’s much better than many similar fare. If you’re not expecting a miracle, I think you’ll be pleasantly surprised.

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